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EROSTRATUS

  • A classic is a man who expresses himself; a romantic a man who...
  • A nossa época não é para longos poemas - T
  • Anyone who is in any way a poet knows very well how much easier...
  • Blank verse, the one so called, is an extremely dull medium to write in.
  • Chesterton lives in tha atmosphere of half-truth...
  • Consiseness and a hold on the reader, wich are required in detective stories,
  • Except when it is the product of chance,
  • For Hamlet is, in a different way than was once thought,
  • Genius is insanity made sane by dilution in the abstract,
  • Grow old, as God himself...”Paradise Lost”... They tend to age...
  • He (the artist) may not be intelligent, but he must be intellectual.
  • I purpose to examine the problem of celebrity,
  • If anyone wishes clearly to understand what is meant...
  • If we hesitate in pitying the drug fool who saturates cocaine with himself,
  • IMPERMANENCE - A Greek intellect and a modern sensibility.
  • IMPERMANENCE - A mesquinhez
  • IMPERMANENCE - First comes the choice of authors.
  • IMPERMANENCE - It is more difficult to affirm what shall survive...
  • IMPERMANENCE - The problem of the survival of literary works,
  • In every case, the nobler the genius, the less noble the fate.
  • In the arts which are not literature, we have a universal speech...
  • It is a curious circumstance that frustrated types easily fall into celebrity.
  • It is ideas, as distinct from purposes, that make immortality...
  • It may be admited that genius is unappreciated in its age...
  • It might be supposed that the presence, in the same man,
  • It will at once occur to ask how is it that genius comes...
  • Nothing worth expressing ever remains unexpressed;
  • One of the most disconcerting phenomena in celebrity is that...
  • Our age is not that of long poems,
  • Posterity, says Faguet, likes only concise writers:
  • Professional improbity and inefficiency are perhaps the distinctive...
  • Realists do small things, romantics great ones.
  • Shaw, minor artist though he be, has nevertheless the virtue of being a stimulant.
  • Some works die because they are of no worth;
  • Sometimes the temperament of the man and the temperament...
  • Taking this distinction of human faculties in conjunction...
  • The celebrity of nations is, in a certain sense, similar to the celebrity of men.
  • The formation of definitive fame is analogous to this.
  • The truth about such men as Shaw...
  • There are only two types of constant mood with which life is worth living...
  • There is in a genius an obscure element...
  • They are beneath thinking of contempt.
  • This value of the element of foreignness,
  • We shall move from private poets to public anthologies.
  • What portion of genius there may be in the present age,
  • Wit is common and generally human.